I like Anderson when he's making movies about childhood -- "Rushmore," or "Fantastic Mr. Fox" -- but when he ventures into the realm of adulthood, he seems out of his jurisdiction.. In its own silly, artificial way, it's the first Anderson film to acknowledge the existence of a world outside its own little toy box and to ground its characters' nostalgia in something resembling actual historical reality.. Any hope Reynolds had of reviving his stardom with Self/less is as fruitless as thinking a p...
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