Mann also used to have a much better feel for action, in movies like Heat, Collateral and Manhunter, than he exhibits here.. Nobody can top Mann's urban night scenes, with their oily neon and skyscraper light grids, but for the most part this plays like Heat without the heat.. Hints of a quasi-apocalyptic chill seem arbitrary-neither symbolic nor dramatic. The effect is like watching software run itself.. Technology may have changed, cyber-crime may be all the rage, but the narrative song remain...
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