One knock against some of Anderson's previous efforts is that they're too clever - so clever, in fact, that the humanity gets sucked out of them. That doesn't happen here.. Anderson's best feature since Rushmore, in part because, like that film, it takes as its primary subject matter odd, precocious children, rather than the damaged and dissatisfied adults they will one day become.. Wes Anderson's most intimate film since Bottle Rocket (1996) and maybe his most deeply felt overall.. It's an adve...
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